Nothing really came of the court case as the court ruled that both parties could use the banana design. In January 2012, the “Velvet Underground” business partnership, which featured John Cale and Lou Reed, sued The Andy Warhol Foundation on the basis of copyright infringement, trademark infringement, and unfair competition because they licensed the banana design for phone and iPad cases. However, MGM records recalled the album’s distribution so that Emerson could be airbrushed off of the record. At the time, Emerson had been arrested for drug possession and was in dire need of money. Emerson saw this as his golden chance and threatened to sue if he wasn’t paid for use of his image. But, the band did see a lawsuit for the back cover, featuring a picture of actor Eric Emerson projected upside-down on the wall behind the band-the photo of the band was taken at Warhol’s Exploding Plastic Inevitable event. Although the sound of the album certainly is pleasant, there's not a single distinctive song on the record, which means it's good for Parrotheads, but casual fans should. Over a laidback, Caribbean-inflected folk-rock, Buffett waxes eloquent over boats, booze, sun, and women. Nhac giao huong beethoven cho ba bau, Isadore chords and lyrics, Mph gauge. The album didn’t really take off when it was first released, selling only 30,000 copies in the first five years. Banana Wind is typical latter-day Jimmy Buffett. This sexually charged image was perfect for the new avant-garde art rock band and helped preview the provocative subject matter the album provided-everything from sadomasochism, prostitution, sexual promiscuity, and drug abuse. This phallic imagery and tongueincheek humora signature of Andy Warhol's aesthetic brandmake up an iconic cover artwork that has. The gallery smoothly transitions from one image to the next. It features the thumbnails-strip through which you can now simply scroll using your touchpad. It has all the familiarities of the BananAlbum the way you know it. Underneath the sticker, at least on the original copies, is pink, fleshy fruit. It's optimised for desktop, tablet as well as mobile. You could peel the banana sticker to reveal a pink-colored fruit underneath. Peel slowly and see, reads the tiny text pointing to the tip of a bold yellow and black banana peel. The original vinyl featured the banana artwork with a little trick. experimentalism and slick musicianship, Gone Banana achieves a strong foothold in a strange, almost unnameable type of mood, one that lingers softly for a while after the album comes to a close.As manager, Warhol also served as the artistic director and took to creating the cover image of the band’s debut album. Prominent saxophone on many tracks by Jacob Zimmerman juxtaposes the darkly psychedelic feel of songs like "Cologne in the Night" with a profoundly smooth atmosphere.
The songs bound along with a lilting but mysterious feel, blending the music-school academia of high-gloss acts like Steely Dan and the Blue Nile with fuzzy home-recording production that adds a level of distance to Birgy's soft, commanding croon. Gone Banana will most likely be an introduction point to Mega Bog's sound for many, and there could be no better starting point than this fully formed distillation of the project's various muses. Along with playing in a handful of other bands, Birgy issued multiple lower-stakes Mega Bog albums, working alone or with help on various cassette and CD-R releases and playing D.I.Y. Brainchild of remarkably talented Seattle songwriter/producer/multi-instrumentalist Erin Birgy, Mega Bog serves as a loosely knit collective of musicians bringing Birgy's restrained, sophisticated pop songs to life.
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